for processing, printing, digital transfer or other handling constitutes an AGREEMENT by you that any damage or loss by our companies, subsidiary or agents, will only entitle you to replacement with a like amount of unexposed film and processing. Archival work is 4-8 weeks typically and really depends on the film condition and extent of the work needed so can be longer.įOR THE LAWYERS: Industry standard disclaimer: What is the Limit of Liability of the lab in case of lost or damaged film? Submitting any film, print, negative or digital image/movie files to Cinelab Inc. ![]() ![]() All R8mm with slitting is 2-4 weeks due to special handling requirements. We also offer same day rush processing service for ECN2 & B&W normal processing and expedited of E6 Printing or Push/Pull and other services, call for rush requests. Turnaround Times for fresh shot film for Cinelab normal processing and ready prepped previously processed film for scan (Typical) 35mm and 16mm 2-10 work days, 8mm 1-2 weeks Ektachrome E6 Color Reversal processing is 2-4 weeks, Push/Pull or Bleach Bypass will typically add significantly to turnaround time. Capable of blow down and blow up work plus a range of traditional VFX work, available as a service or for the DIY person who has a FX job they want to do. We also have a Producer’s Service 16mm / 35mm / VistaVision computer controlled optical printer formerly owned by famed LA FX man Harry Walton and used on shows like RoboCop and Indiana Jones. We can make workprint and timed 16mm and 35mm prints. We have a B&H 35mm panel printer will all optical sound heads. We offer Peterson 16mm wet gate and B&H dry gate 16mm printers. We have recorded hundreds of jobs to 16mm for rescan for texture / DI for 16mm / Digital to 16mm print both silent and with optical sound. Our third generation 16mm Cine-Mitchell recorder built in house is now up and running featuring a Mitchell pin-reg transport and the ability to record to any camera film stock. Ask about digital to 35mm film recording as this is being developed currently. We are also adding direct Digital to 35mm print services. We offer Digital to 35mm film on the ARRILASER and we are currently building a Digital to 35mm recorder for 4K recording to any camera negative stock.
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